A brave, brilliant, and unprecedented examination of menopause
Menopause hit Darcey Steinke hard. First came hot flashes. Then insomnia. Then depression. As she struggled to express what was happening to her, she came up against a culture of silence. Throughout history, the natural physical transition of menopause has been viewed as something to deny, fear, and eradicate. Menstruation signals fertility and life, and childbirth is revered as the ultimate expression of womanhood. Menopause is seen as a harbinger of death. Some books Steinke found promoted hormone replacement therapy. Others encouraged acceptance. But Steinke longed to understand menopause in a more complex, spiritual, and intellectually engaged way.
Captivating and boldly imaginative, with a tale of sisterhood at its heart, Rena Rossner's debut fantasy invites you to enter a world filled with magic, folklore, and the dangers of the woods.
"With luscious and hypnotic prose, Rena Rossner tells a gripping, powerful story of family, sisterhood, and two young women trying to find their way in the world." --Madeline Miller, author of The Song of Achilles and Circe
In a remote village surrounded by vast forests on the border of Moldova and Ukraine, sisters Liba and Laya have been raised on the honeyed scent of their Mami's babka and the low rumble of their Tati's prayers. But when a troupe of mysterious men arrives, Laya falls under their spell - despite their mother's warning to be wary of strangers. And this is not the only danger lurking in the woods.
Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones.
From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation.
Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love.
In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance. Her affluent parents send her to Manhattan to live with her Aunt Peg, who owns a flamboyant, crumbling midtown theater called the Lily Playhouse. There Vivian is introduced to an entire cosmos of unconventional and charismatic characters, from the fun-chasing showgirls to a sexy male actor, a grand-dame actress, a lady-killer writer, and no-nonsense stage manager. But when Vivian makes a personal mistake that results in professional scandal, it turns her new world upside down in ways that it will take her years to fully understand. Ultimately, though, it leads her to a new understanding of the kind of life she craves - and the kind of freedom it takes to pursue it. It will also lead to the love of her life, a love that stands out from all the rest.
Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
Sequel to Grammy-nominated bestseller Under the Big Black Sun, continuing the up-close and personal account of the L.A. punk scene, with 50 rare photos
Picking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national -- and often international -- stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded.
Author Mariko Tamaki and illustrator Rosemary Valero-O’Connell bring to life a sweet and spirited tale of young love in Laura Dean Keeps Breaking Up with Me, a graphic novel that asks us to consider what happens when we ditch the toxic relationships we crave to embrace the healthy ones we need.
Laura Dean, the most popular girl in high school, was Frederica Riley's dream girl: charming, confident, and SO cute. There's just one problem: Laura Dean is maybe not the greatest girlfriend.
Reeling from her latest break up, Freddy's best friend, Doodle, introduces her to the Seek-Her, a mysterious medium, who leaves Freddy some cryptic parting words: break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it's really Laura Dean that's the problem. Maybe it's Freddy, who is rapidly losing her friends, including Doodle, who needs her now more than ever.
Meet Llama, the next great picture-book megastar, who has most definitely driven a bus and who loves tacos way more than you.
He also loves cake, and that’s where our story begins.
On Monday, Llama discovers a pile of cake, which he promptly eats.
On Tuesday, Llama squeezes into his dancing pants, which he promptly rips.
The force of the rip creates a black hole (naturally).
By Friday, Llama will (indirectly) destroy the world.
Sharp, mainstream fantasy meets compelling thrills of investigative noir in Magic for Liars, a fantasy debut by rising star Sarah Gailey.
Ivy Gamble was born without magic and never wanted it.
Ivy Gamble is perfectly happy with her life – or at least, she’s perfectly fine.
She doesn't in any way wish she was like Tabitha, her estranged, gifted twin sister.
Ivy Gamble is a liar.
When a gruesome murder is discovered at The Osthorne Academy of Young Mages, where her estranged twin sister teaches Theoretical Magic, reluctant detective Ivy Gamble is pulled into the world of untold power and dangerous secrets. She will have to find a murderer and reclaim her sister—without losing herself.
Far, far away, in the realm of Enchantia, creatures of legend still exist, magic is the norm and fairy tales are real. Except, fairy tales aren't based on myths and legends of the past--they are prophecies of the future.
Raised in the mortal realm, Everly Morrow has no idea she's a real-life fairy-tale princess--until she manifests an ability to commune with mirrors.
Look. See... What will one peek hurt?
Soon, a horrifying truth is revealed. She is fated to be Snow White's greatest enemy, the Evil Queen.
With powers beyond her imagination or control, Everly returns to the land of her birth. There, she meets Roth Charmaine, the supposed Prince Charming. Their attraction is undeniable, but their relationship is doomed. As the prophecy unfolds, Everly faces one betrayal after another, and giving in to her dark side proves more tempting every day. Can she resist, or will she become the queen--and villain--she was born to be?
The Chief Washington Correspondent for the New York Times presents a richly detailed, news-breaking, and conversation-changing look at the unprecedented political fight to fill the Supreme Court seat made vacant by Antonin Scalia’s death—using it to explain the paralyzing and all but irreversible dysfunction across all three branches in the nation’s capital.
The embodiment of American conservative thought and jurisprudence, Antonin Scalia cast an expansive shadow over the Supreme Court for three decades. His unexpected death in February 2016 created a vacancy that precipitated a pitched political fight. That battle would not only change the tilt of the court, but the course of American history. It would help decide a presidential election, fundamentally alter longstanding protocols of the United States Senate, and transform the Supreme Court—which has long held itself as a neutral arbiter above politics—into another branch of the federal government riven by partisanship. In an unprecedented move, the Republican-controlled Senate, led by majority leader, Mitch McConnell, refused to give Democratic President Barack Obama’s nominee, Merrick Garland, a confirmation hearing. Not one Republican in the Senate would meet with him. Scalia’s seat would be held open until Donald Trump’s nominee, Neil M. Gorsuch, was confirmed in April 2017.
The seventeen-year-old Kid doesn’t know where her parents are. They left her with her grandmother Lolly, promising to return soon. That was months ago. Now Lolly is dead and the Kid is alone, stranded ten miles off the coast of New Hampshire on tiny Swan Island. Unable to reach her parents and with no other relatives to turn to, she works for a neighbor, airbrushing the past by digitally retouching family photos and movies to earn enough money to survive.
Surrounded by the vast ocean, the Kid’s temporary home is no ordinary vacation retreat. The island is populated by an idiosyncratic group of the elderly who call themselves Wrinklies. They have left behind the youth-obsessed mainland—“the Bad Place”—to create their own alternative community, one where only the elderly are welcome. The adolescent’s presence on their island oasis unnerves the Wrinklies, turning some downright hostile. They don’t care if she has nowhere to go;they just want her gone. She is a reminder of all they’ve left behind and are determined to forget.
A chilling page-turner and impossible to put down, THE SNAKES is Sadie Jones at her best: breathtakingly powerful, brilliantly incisive, and utterly devastating.
Recently married, psychologist Bea and Dan, a mixed-race artist, rent out their tiny flat to escape London for a few precious months. Driving through France they visit Bea's dropout brother Alex at the hotel he runs in Burgundy. Disturbingly, they find him all alone and the ramshackle hotel deserted, apart from the nest of snakes in the attic.
When Alex and Bea's parents make a surprise visit, Dan can't understand why Bea is so appalled, or why she's never wanted him to know them; Liv and Griff Adamson are charming and rich. They are the richest people he has ever met. Maybe Bea's ashamed of him, or maybe she regrets the secrets she's been keeping.
From her creation of the “Approval Matrix” in New York magazine in 2004 to her Pulitzer Prize–winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president. There are three big profiles of television showrunners—Kenya Barris, Jenji Kohan, and Ryan Murphy—as well as examinations of the legacies of Norman Lear and Joan Rivers. The book also includes a major new essay written during the year of #MeToo, wrestling with the question of what to do when the artist you love is a monster.
Filled with astounding anecdotes and searing tales of heartbreak and transformation, it provides a decade-by-decade account of the rise and acceptance of gay life and identity since the 1940s. From the making of West Side Story to the catastrophic era of AIDS, and with a dazzling cast of characters--including Leonard Bernstein, Montgomery Clift, Alfred Hitchcock, John F. Kennedy, and RuPaul--this is a vital telling of American history.
St. Louis is undoubtedly fragmented, physically so in that the city is dissected by rivers, highways, walls, and fences; but also in a more insidious way. It's a city (like many) where race, class, religion, and zip code might as well be cards in a rigged poker game, where the winners' prize is the ability to ignore that the losers have drastically shorter life expectancies. But it's also a city of warmth, love, and beauty--especially in its contrasts. The St. Louis Anthology dares to confront the city's nostalgia and its trauma, celebrating those who have faced both, living complex and nuanced lives in this city against a backdrop of its red brick, muddy rivers, and sticky summer nights when the symphony of cicadas and jazz is almost loud enough to drown out the gunshots. Edited by Ryan Schuessler, featuring nearly 70 pieces penned by St. Louis writers, journalists, clergy, poets, and activists including Aisha Sultan, Galen Gritts, Vivian Gibson, Maja Sadikovic, Nartana Premachandra, Sophia Benoit, Robert Langellier, Samuel Autman, Umar Lee, and more.
Stories of murder have never been just about killers and victims. Instead, crime stories take the shape of their times and reflect cultural notions and prejudices. In Indecent Advances, James Polchin recovers and recounts queer stories from the crime pages--often lurid and euphemistic--that reveal the hidden history of violence against gay men.
What was left unsaid in the crime pages provides insight into the figure of the queer man as both criminal and victim, offering readers tales of vice and violence that aligned gender and sexual deviance with tragic, gruesome endings. Victims were often reported as having made "indecent advances," forcing the accused's hands in self-defense and reducing murder charges to manslaughter.
Acclaimed author Sam Sykes returns with a brilliant new epic fantasy that introduces an unforgettable outcast mage caught between two warring empires.
Her magic was stolen. She was left for dead.
Betrayed by those she trusts most and her magic ripped from her, all Sal the Cacophony has left is her name, her story, and the weapon she used to carve both. But she has a will stronger than magic, and knows exactly where to go.
The Scar, a land torn between powerful empires, where rogue mages go to disappear, disgraced soldiers go to die and Sal went with a blade, a gun, and a list of seven names.
Revenge will be its own reward.