From the two-time NBCC Finalist, an emotionally resonant, fiercely imaginative new novel about a family whose road trip across America collides with an immigration crisis at the southwestern border--an indelible journey told with breathtaking imagery, spare lyricism, and profound humanity.
A mother and father set out with their two children, a boy and a girl, driving from New York to Arizona in the heat of summer. Their destination: Apacheria, the place the Apaches once called home.
Why Apaches? asks the ten-year-old son. Because they were the last of something, answers his father.
In their car, they play games and sing along to music. But on the radio, there is news about an "immigration crisis": thousands of kids trying to cross the southwestern border into the United States, but getting detained--or lost in the desert along the way.
Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection--a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades.
The Source of Self-Regard is brimming with all the elegance of mind and style, the literary prowess and moral compass that are Toni Morrison's inimitable hallmark. It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "black matter(s)," and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, among them, painter and collagist Romare Bearden, author Toni Cade Bambara, and theater director Peter Sellars. In all, The Source of Self-Regard is a luminous and essential addition to Toni Morrison's oeuvre.
What’s most evident in Magical Negro is that there is nothing new under the sun. What has happened once will happen again. As a Black woman, this is a lesson that Parker has inherited and internalized. A history as muddied, as denied, and as multifarious as Black history inspires an artist such as Parker to take on many different personas and former lives. She embodies popular Black icons from photographs, music, and film, as in her poem about Diana Ross. She documents her own maturation as a Black woman, which includes meditations on, and resurrections of, the past and how she was conditioned. And, finally, she remains mindful of Black people, even those she’s never known but who bear a common heritage in their faces. Magical Negro is a reminder, finally, of the cycles of Black life, and Parker, moving fluidly through time and space, is a poet unafraid to immortalize them..
The definitive collection of works on a subject that inspired and haunted Charles Bukowski for his entire life: alcohol
Charles Bukowski turns to the bottle in this revelatory collection of poetry and prose that includes some of the writer’s best and most lasting work. A self-proclaimed “dirty old man,” Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments as well as some of his most joyful and inspired.
In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff—a topic that allowed Bukowski to explore some of life’s most pressing questions. Through drink, Bukowski is able to be alone, to be with people, to be a poet, a lover, and a friend—though often at great cost. As Bukowski writes in a poem simply titled “Drinking,”: “for me/it was or/is/a manner of/dying/with boots on/and gun/smoking and a/symphony music background.”
Charlie Jane Anders, the nationally bestselling author of All the Birds in the Sky delivers a brilliant new novel set in a hauntingly strange future with #10 LA Times bestseller The City in the Middle of the Night.
"If you control our sleep, then you can own our dreams... And from there, it's easy to control our entire lives."
January is a dying planet--divided between a permanently frozen darkness on one side, and blazing endless sunshine on the other. Humanity clings to life, spread across two archaic cities built in the sliver of habitable dusk.
But life inside the cities is just as dangerous as the uninhabitable wastelands outside.
Sophie, a student and reluctant revolutionary, is supposed to be dead, after being exiled into the night. Saved only by forming an unusual bond with the enigmatic beasts who roam the ice, Sophie vows to stay hidden from the world, hoping she can heal.
But fate has other plans--and Sophie's ensuing odyssey and the ragtag family she finds will change the entire world.
A sweet, funny contemporary teen romance for the inner geek in all of us from graphic novelist Faith Erin Hicks.
Miriam's family should be rich. After all, her grandfather was the co-creator of smash-hit comics series The TomorrowMen. But he sold his rights to the series to his co-creator in the 1960s for practically nothing, and now that's what Miriam has: practically nothing. And practically nothing to look forward to either-how can she afford college when her family can barely keep a roof above their heads? As if she didn't have enough to worry about, Miriam's life gets much more complicated when a cute boy shows up in town . . . and turns out to be the grandson of the man who defrauded Miriam's grandfather, and heir to the TomorrowMen fortune.
In the stunning first novel in Marlon James's Dark Star trilogy, myth, fantasy, and history come together to explore what happens when a mercenary is hired to find a missing child.
Tracker is known far and wide for his skills as a hunter: "He has a nose," people say. Engaged to track down a mysterious boy who disappeared three years earlier, Tracker breaks his own rule of always working alone when he finds himself part of a group that comes together to search for the boy. The band is a hodgepodge, full of unusual characters with secrets of their own, including a shape-shifting man-animal known as Leopard.
As Tracker follows the boy's scent--from one ancient city to another; into dense forests and across deep rivers--he and the band are set upon by creatures intent on destroying them. As he struggles to survive, Tracker starts to wonder: Who, really, is this boy? Why has he been missing for so long? Why do so many people want to keep Tracker from finding him? And perhaps the most important questions of all: Who is telling the truth, and who is lying?
Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.
Three hundred years ago, fate bound Prosper Redding and Prince Alastor of the Third Realm together. Now the human boy and fiend heir to the demon kingdom must put aside a centuries-old blood feud to save everything they love.
Alastor will guide Prosper through the demon realm-under one huge condition: Prosper must enter into a contract with the malefactor residing in him, promising eternal servitude in the afterlife. With Prosper's sister in the clutches of the evil queen Pyra, Prosper has no choice but to agree.
But when they arrive in Alastor's deliciously demonic home, the realm is almost as alien to Alastor as it is to Prosper-the lowest fiends have dethroned the ruling malefactors, while an unfathomable force called the Void is swiftly consuming the realm. The desperate fiends cling to the one person who says she can stop it: Pyra.