Description

Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation.

Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.

About the Author

Chuck Klosterman is the New York Times bestselling author of Downtown Owl; Chuck Klosterman IV; Killing Yourself to Live; Sex, Drugs, and Cocoa Puffs; and Fargo Rock City, winner of the ASCAP-Deems Taylor Award. He is a Contributing Editor for Esquire, a regular contributor to The New York Times Magazine, and has also written for Spin, The Washington Post, The Guardian, The Believer, A.V. Club, and ESPN. Klosterman grew up on a farm near Wyndmere, North Dakota. After graduating from the University of North Dakota, he wrote for the Fargo Forum and the Akron Beacon Journal. Klosterman is published in eight territories and seven languages. Klosterman lives in New York City.

Praise for Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto…

The Onion a.v. clubOne of the brightest pieces of pop analysis to appear this century.

GQQuintessential Klosterman -- sometimes exasperating but almost always engaging.

San Francisco ChronicleThe reigning Kasparov of pop culture wits-matching.

The Washington PostMaddeningly smart and funny...[Klosterman's] good humor, compassion, and raw associative powers put him in the same league as Nick Hornby and Douglas Coupland, though he's a more tenacious critic than either.