My goodness we sell a lot of this.

In The Beats: A Graphic History, those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers, including the feminist comic creator Trina Robbins and the Mad magazine artist Peter Kuper, The Beats takes us on a wild tour of a generation that, in the face of mainstream American conformity and conservatism, became known for its determined uprootedness, aggressive addictions, and startling creativity and experimentation. What began among a small circle of friends in New York and San Francisco during the late 1940s and early 1950s laid the groundwork for a literary explosion, and this striking anthology captures the storied era in all its incarnations—from the Benzedrine-fueled antics of Kerouac, Ginsberg, and Burroughs to the painting sessions of Jay DeFeo’s disheveled studio, from the jazz hipsters to the beatnik chicks, from Chicago’s College of Complexes to San Francisco’s famed City Lights bookstore. Snapshots of lesser-known poets and writers sit alongside frank and compelling looks at the Beats’ most recognizable faces. What emerges is a brilliant collage of—and tribute to—a generation, in a form and style that is as original as its subject.

What will happen to life when science identifies the genetic basis of happiness?  Who will own the patent?  Do we dare revise our own temperaments?  Funny, fast, and magical, Generosity celebrates both science and the freed imagination. In his most exuberant book yet, Richard Powers asks us to consider the big questions facing humankind as we begin to rewrite our own existence.

The bestselling book that launched meth back into the nation's consciousness. Based on Reding's four years of reporting in the agricultural town of Oelwein, Iowa, and tracing the connections to the global forces that set the stage for the meth epidemic, Methland offers a vital perspective on a contemporary tragedy. It is a portrait of a community under siege, of the lives that meth has devastated, and of the heroes who continue to fight the war

NPR ran a program on Methland and the piece that was read will stick in my head forever.  It was chilling.

We read this at Story Time and the kiddoes went nuts.

What Leo wants is a fire truck; what Mama gives him is a kitten: Lola. To make matters worse, mischievous and high-spirited Lola just about takes over all of Leo’s favorite things. Just when Leo’s had enough, Lola surprises him and saves the day. Colorful, bold illustrations filled with trucks, trucks, and more trucks enliven this satisfying story of friendship.

It begins with a body. On a clear day in winter, the battered corpse of Crispin Salvador is pulled from the Hudson River—taken from the world is the controversial lion of Philippine literature. Gone, too, is the only manuscript of his final book, a work meant to rescue him from obscurity by exposing the crimes of the Filipino ruling families. Miguel, his student and only remaining friend, sets out for Manila to investigate.

To understand the death, Miguel scours the life, piecing together Salvador’s story through his poetry, interviews, novels, polemics, and memoirs. The result is a rich and dramatic family saga of four generations, tracing 150 years of Philippine history forged under the Spanish, the Americans, and the Filipinos themselves. Finally, we are surprised to learn that this story belongs to young Miguel as much as to his lost mentor, and we are treated to an unhindered view of a society caught between reckless decay and hopeful progress.

Exuberant and wise, wildly funny and deeply moving, Ilustrado explores the hidden truths that haunt every family. It is a daring and inventive debut by a new writer of astonishing talent.

A chilling ghost story that is also a tale of exquisite psychological suspense, The Birthing House marks the debut of a writer whose first novel is a terrifying tour de force.

Conrad and Joanna Harrison, a young couple from Los Angeles, attempt to save their marriage by leaving the pressures of the city to start anew in a quiet, rural setting.  They buy a Victorian mansion that once served as a haven for unwed mothers, called a birthing house.  One day when Joanna is away, the previous owner visits Conrad to bequeath a vital piece of the house’s historic heritage, a photo album that he claims “belongs to the house.”  Thumbing through the old, sepia-colored photographs of midwives and fearful, unhappily pregnant girls in their starched, nineteenth-century dresses, Conrad is suddenly chilled to the bone: staring back at him with a countenance of hatred and rage is the image of his own wife….

Thus begins a story of possession, sexual obsession, and, ultimately, murder, as a centuries-old crime is reenacted in the present, turning Conrad and Joanna’s American dream into a relentless nightmare.

Kirpal Singh is riding the slow train to Kashmir. With India passing by his window, he reflects on his destination, which is also his past: a military camp to which he has not returned for fourteen years. Kirpal, called Kip, is shy and not yet twenty when he arrives for the first time at General Kumar's camp, nestled in the shadow of the Siachen Glacier. At twenty thousand feet, the glacier makes a forbidding battlefield; its crevasses claimed the body of Kip's father. Kip becomes an apprentice under the camp's chef, Kishen, a fiery mentor who guides him toward the heady spheres of food and women. In this place of contradictions, erratic violence, and extreme temperatures, Kip learns to prepare local dishes and delicacies from around the globe. Even as months pass, Kip, a Sikh, feels secure in his allegiance to India, firmly on the right side of this interminable conflict. Then, one muggy day, a Pakistani "terrorist" with long, flowing hair is swept up on the banks of the river and changes everything. Mesmeric, mournful, and intensely lyrical, Chef is a brave and compassionate debut about hope, love, and memory set against the devastatingly beautiful, war-scarred backdrop of occupied Kashmir

I LOVE Kohara's illustration style.

JUST THE RIGHT MIX OF SWEET AND SCARY for the youngest trick-or treaters

At the edge of town lives a clever girl with a spooky problem: Her house is haunted! Luckily, she happens to be a witch and knows a little something about taking care of ghosts. She catches them, puts them in the washing machine, airs them out to dry, and gives them new lives as sofa covers, table cloths, and,

of course, bed sheets to cozy up under. Fresh and charming illustrations in dynamic orange, black and white bring this resourceful heroine and these spooky ghosts to life

Currently, one of our best-selling memoirs.

Not long after Rhoda Janzen turned forty, her world turned upside down. It was bad enough that her husband of fifteen years left her for Bob, a guy he met on Gay.com, but that same week a car accident left her injured. Needing a place to rest and pick up the pieces of her life, Rhoda packed her bags, crossed the country, and returned to her quirky Mennonite family's home, where she was welcomed back with open arms and offbeat advice. (Rhoda's good-natured mother suggested she get over her heartbreak by dating her first cousin—he owned a tractor, see.)

Written with wry humor and huge personality—and tackling faith, love, family, and aging—Mennonite in a Little Black Dress is an immensely moving memoir of healing, certain to touch anyone who has ever had to look homeward in order to move ahead

I love his work!  By far, our best selling children's board books.

Xavier Deneux turns another simple concept book into high art—this time treating readers to the wonders of the circus. Perfect for babies and toddlers, My Circus introduces clowns, magicians, trapeze artists, and many more familiar stars of the big top. With an irresistible foam cover, high-contrast palette with bright splashes of color, and playful die-cuts, this adorable board book is sure to grab the attention of the youngest book lovers and circus goers.